About

My multidisciplinary, research-based art practice explores how objects accrue cultural and affective meaning, and how they function socially through individual and collective memory. Rooted in queer theory and archival engagement, my work considers how material culture can evoke alternative ways of being in the world and mediate shared moments of queer potentiality.
My practice centres on engaging the ephemeral or affective essence of queerness through objects—drawing on archives as both material source and method. Archives offer a means to preserve memory across generations, while also revealing the gaps, silences, and absences within dominant historical narratives. I seek to contribute to a lineage of 2SLGBTQIA+ artists who interrogate and expand the archive, imagining new modes of engagement that foreground pleasure, resistance, and possibility. Through this approach, my interdisciplinary practice spans photography, painting, sculpture, and installation.
Central to my practice is a desire to build intergenerational connections through queer knowledge sharing, speculative world-making, and atemporal engagements with history. I am particularly drawn to contemporary art practices that make an archival turn—returning to materials of the past not simply to recover, but to reframe queer history as an unfinished and collective project, one worth pursuing in reimagining futures otherwise.