About

My multidisciplinary, research-based art practice explores how objects accrue cultural and affective meaning, and how they function socially through individual and collective memory. Rooted in queer theory and archival engagement, my work considers how material culture can evoke alternative ways of being in the world and mediate shared moments of queer potentiality.
My practice centres on representing the ephemeral or psychic essence of queerness through objects—drawing on queer archives as both material source and method. Queer archives offer a means to preserve memory across generations, while also revealing the gaps, silences, and absences within dominant historical narratives. I seek to contribute to a lineage of 2SLGBTQIA+ artists who interrogate and expand the archive, imagining new modes of engagement that foreground pleasure, resistance, and possibility.
Central to my practice is a desire to build intergenerational connections through queer knowledge sharing, speculative world-making, and temporal refusal. I am particularly drawn to contemporary art practices that make an archival turn—returning to materials of the past not simply to recover, but to reimagine futures otherwise.